Configure preference settings in Premiere Pro.
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Adobe premiere pro cs6 change project settings free download.Adjust project settings and presets
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Select this option if you experience audio dropouts during playback. By default, this option is off. For example, if you are automating a fade from 0 dB to —12 dB. With this option selected, Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes. This option is selected by default. Creates keyframes only at intervals larger than the value you specify.
Enter a value from 1 through milliseconds. This preference lets you set the number of decibels to increase when using the Increase Clip Volume Many command. While sending clips to Audition, you can save these files in the scratch disk location, or next to the original media file.
When you connect an audio hardware device, the hardware settings for that device type, such as default input, default output, master clock, latency, and sample rate are loaded in this dialog box.
For example, the following screen shows the settings for a connected MME device Windows in which you can modify the default selections in properties:. The following image shows the preferences for low-latency CoreAudio devices that can support input-only, output-only, and full-duplex modes.
When you configure inputs and outputs for recording and playback, Adobe Premiere Pro can use these kinds of sound card drivers:. You can also monitor audio as you record it and instantly hear volume, pan, and effects changes during playback. By default, Premiere Pro automatically saves your project every 15 minutes and retains the last five versions of the project file on the hard disk. You can revert to a previously saved version at any time.
Archiving many iterations of a project consumes relatively little disk space because project files are much smaller than source video files. Archived files are saved in the Premiere Pro Auto-Save folder. Enter the number of versions of a project file you want to save. For example, if you type 10, Premiere Pro saves the ten most recent versions.
When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file. The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-save if you manually saved within the interval setting. If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save. To let Premiere Pro auto-save your projects directly to your Creative Cloud-based storage, select this preference.
When Premiere Pro auto-saves a project, a directory named "auto-save" is created in your Creative Cloud online storage. All the backed-up projects are stored in the "auto-save" directory. You can access your backed-up projects from the Files tab of your Creative Cloud desktop application. Or you can access the files from your Creative Cloud account on the Web.
When this setting is enabled, Auto Save creates an archived copy of your current projects, but also saves the current working project. This setting is off by default. When an auto save occurs, Premiere Pro creates a new backup project file and adds it to the auto-save folder as an emergency project backup. This file is always the latest saved version of that project. Here are some of the characteristics of the emergency back project file:.
Controls how Premiere Pro transfers video and audio directly from a deck or camera. None of the other project settings options affect capturing. The contents of this panel depend on the editing mode. More capture formats and options appear if you install other software, such as software included with a capture card certified to be compatible with Premiere Pro.
It is because the assets are captured and recorded directly to the P2 card as digital files by the camera. In the Control Surface panel of the Preferences dialog, you can configure your hardware control device. The Edit, Add, and Remove buttons let you add, edit, or remove control surfaces in your configuration. Under Device Class, click Add to select the device. Or you can add both. For more information on using control surface controls with Premiere Pro, see Control surface support.
You can set the following preferences for working with the Essential Graphics panel. All changes take effect the next time you create a text layer. If you need Ligature support, select Ligatures.
If you want support for Hindi numerals, select Hindi Digits. You can also choose if you want the text to flow left to right or right to left. You can define a custom replacement font in the Graphics tab. This font is set as the default font when the fonts in a Motion Graphics Template cannot be synced.
In the Label Colors section, you can change the default colors and color names. You can label assets with these colors and color names in the Project panels. In the Label Defaults section, you can change the default colors assigned to bins, sequences, and different types of media. Specifies whether Premiere Pro shows the original timecode imported clips, or assigns new timecode to them, starting at Specifies whether Premiere Pro assigns a 0, or a 1 to the first frame of an imported clip, or assigns a number by timecode conversion.
To specify whether you want to Scale to frame size or Set to frame size , set this media preference.
To specify where you want Premiere Pro to save clip marker, set this option. If you select this option, clip markers are saved with the media file. If you turn off this option, clip markers are saved in the Premiere Pro project file. To link clip metadata to XMP metadata, so that changing one changes the other, select this check box. To detect and automatically import embedded closed caption data in an embedded closed caption file, select this check box.
Deselect this check box to not import embedded captions, which helps save time while importing. If you want Premiere Pro to automatically switch to displaying the proxy video in the timeline after a proxy job is complete, select this option.
If you want to allow duplicate media while importing a project, select this option. Deselect this option if you don't want multiple copies while importing. When you select this option, Premiere Pro hides the master clips when dragging in a sequence from another project. The preference allows users to opt whether Premiere automatically refreshes as they grow, and if so, how frequently. This preference allows you to edit with these files in your project immediately. By default, this preference is enabled.
If you want H. This option is dimmed if your system does not support this feature. For more information, see Hardware acceleration system requirements. The Media Cache is where Premiere Pro stores accelerator files, including peak files. Premiere Pro. Clearing old or unused media cache files can help maintain optimal performance. Deleted cache files are recreated whenever source media requires them.
In the Memory pane of the Preferences dialog box, you can specify the amount of RAM reserved for other applications, and for Premiere Pro. Some sequences, such as those containing high-resolution source video or still images, require large amounts of memory for the simultaneous rendering of multiple frames.
In these cases, you can maximize the available memory by changing the Optimize Rendering For preference from Performance to Memory. Change this preference back to Performance when rendering no longer requires memory optimization.
In the Playback pane of the Preferences dialog box, you can select the default player for audio or video, and set preroll and postroll preferences. This will open the Export Settings window. This is by far one of the most popular and efficient codecs in use.
These files offer good quality at a reasonable size, which make them great for web upload, as well as sharing between clients and collaborators. A recommended preset to get started with is Match Source — High bitrate. This preset matches your output video to the core source settings resolution, frame rate, etc. The higher the bitrate, the larger the file size. Recent Projects is a list of previously opened projects. If this is your first time launching Premiere Pro, it will be blank. This dialog has two tabs: General and Scratch Disks.
All of the settings in this dialog can be changed later. Some special effects can be played immediately, combining your original video with the effect and displaying the results as soon as you click Play. Real-time playback is desirable because it means you can watch the results of your creative choices right away.
Many special effects in Premiere Pro are designed to be in real time. If you use lots of effects or if you use effects that are not designed to be played in real time, your computer may not be able to display the results at the full frame rate. That is, Premiere Pro will attempt to display your video clips, combined with the special effects, but it will not show every single frame each second. When this happens, it is described as dropping frames.
Premiere Pro displays colored lines along the top of the Timeline panel to tell you when extra work is required to play back your video. Not seeing every frame when you play your sequence is OK! However, it can make a difference to your editing experience and your ability to preview the effects you apply with confidence.
There is a simple solution: rendering. When you choose to render, Premiere Pro produces a new video file that looks exactly like the part of your sequence you have selected—known as the work area —with all the special effects applied. Every time that part of your sequence is played, Premiere Pro automatically, and invisibly, switches to the new video file and plays that instead.
When that part of your sequence finishes, Premiere Pro invisibly switches back to playing the next clips in your sequence. This means Premiere Pro can play back the results of your special effects at full quality, and at full frame rate, without your computer having to do any more work than playing a regular video file.
In practice, telling Premiere Pro to render is as simple as pressing a single key on your keyboard the Enter key or choosing an option in a menu. Imagine you have a piece of video that is too dark.
You add a special effect to make it brighter, but your video-editing system is unable to both play the original video and make it brighter. When this happens, a new video file is created that looks like your original video combined with the special effect to make it brighter. When the part of your sequence is played that contains the clip with the rendered effect, your system invisibly, and seamlessly, switches to playing the newly rendered video file instead.
That file plays back like any other regular file. When the part of your sequence with the brightened clip is finished, your system invisibly, and seamlessly, switches back to playing your other original video files. The downside with rendering is that it takes up extra space on your hard drive, and it takes time. It also means you are viewing a new video file, based on your original media, and that might introduce some loss of quality.
The upside with rendering is that you can be confident your system will be able to play the results of your effect at full quality, with all the frames per second. Real-time is When using a real-time special effect, your system plays the original video clip combined with the special effect right away, without waiting for it to render.
The only downside with real-time performance is that the amount you can do without rendering depends on how powerful your system is. If the Renderer menu is available, it means you have the right graphics hardware for GPU acceleration in your computer and it is installed correctly. You can achieve much better performance by choosing GPU Acceleration, if you have a compatible graphics card.
It allows Premiere Pro to give some of the work of playing back video and applying visual effects to the GPU. You will almost certainly want to choose the GPU option and benefit from the additional performance if you can. The Mercury Playback Engine dramatically improved playback performance, making it faster and easier than ever to work with multiple video formats, multiple special effects, and multiple layers of video for effects such as picture-in-picture.
It has three main features:. The more powerful your computer is, the more performance you get in Premiere Pro. The result is even better performance and responsiveness when working with your sequences and lots of special effects that will play in real time. For a list of supported graphics cards, see www. When a camera records video, it captures a series of still images of the action. If there are enough images captured each second, it looks like moving video when played back.
Each picture is called a frame , and the number of frames each second is usually called frames per second fps. The frames per second will vary depending on your camera format and settings.
It could be Some cameras allow you to choose between more than one frame rate, with different options for accompanying frame sizes. Premiere Pro will play back video at all common frame rates. Video display format There are four options for Video Display Format. The correct choice for a given project largely depends on whether you are working with video or film as your source material.
Timecode is a universal standard for counting hours, minutes, seconds, and individual frames for video files or tape. The same system is used by cameras, professional video recorders, and nonlinear editing systems all around the world.
Because 16mm film and 35mm film have different-sized frames and so different numbers of frames per foot , there is an option for each. This is sometimes used for animation projects and is another way that labs like to receive information about edits for a film-based project. In the case of most professional video cameras, this happens 48, times per second. In Audio Samples mode, Premiere Pro will display time in your sequences as hours, minutes, seconds, and samples.
The number of samples per second will depend on your sequence settings. By default, Premiere Pro lets you zoom in to your sequences to view individual frames. However, you can easily switch to displaying your audio display format. This powerful feature lets you make the tiniest adjustments to your sound.
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